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You’ve done it. You conceived of a story idea, sat down and wrote ALL the words and finally reached the point where you typed The End. You’re exhilirated. The world will gasp and hold its sides at how perfect your story is. It is, without a doubt, a work of art … sheer poetry in prose form.

I’ll be honest … I feel like I’ve just run a race when I reach the end of the first draft of any novel I’ve written and like I should be taking a victory lap. It is a HUGE accomplishment, and one we can all be proud of. Except the completion of the first draft is equivalent to reaching the starter’s line for the race, not the end. The first thing I do on completion of a first draft is put it away and go on to the million-and-one other things I have to do, whether it be starting a new project or polishing up an old one. I need fresh eyes before I go back and look at the masterpiece I have just penned … because I need to be able to see the mistakes. And they are there, I can promise you that.

Let’s say you’ve finished up the story, read through it again, confirmed your own conviction that it is wonderful and you send it off to be read by someone else. Someone who has a critical eye, because that’s what your story needs, someone to find those things that aren’t quite right to help you make sure it is the best story it can possibly be.

Then your story — your perfect little story — comes back and looks as if Jack the Ripper and the Warwick Slasher were having a contest to see who could rip it up the most. It is bleeding with red ink and your feelings go from confidence to failure in two short seconds. Thoughts start chasing each other in your mind. How could it be so bad??? Why did I think I could write in the first place?? Maybe I should give up? You have failed to achieve the effect with your story that you wanted. It’s OKAY. Failure is embedded in the fabric of success. No one achieves perfection the first time out. And in writing, I daresay no one achieves perfection. So let’s change how we view failure.

It has become popular to make fun of people’s failures … in fact, there are memes (Nailed It!) dedicated to mocking failed attempts. And yes, the attempt failed, but at least they tried. Something the mockers didn’t do. And here is the thing about failure, it is only the end result if you give up on trying to achieve your goal. You failed … so what? What did you learn this time to make the next attempt better? Because every mark on that story represents an opportunity to learn and improve your craft.

I am always extremely thankful for all of the red marks. Someone else has taken the time to help me see things I was blind to to help me make my story the best it can be. Does that red mark represent a failure? You bet, but it also represents something that can be fixed now that I am aware there is a problem. I really like the acronym for FAIL — First Attempt In Learning.

Instead of feeling down because we have not achieved perfection, we should relish the things we have learned through trying and failing. Does it mean we have more work to do? You bet. But nothing makes me happier than making my story better and stronger. Success is built on the back of failure — when we choose to learn from those failures.

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You’re all set … you’ve got the right notebook and right pen, or your computer screen is ready and the cursor is blinking at you from the page. You settle in take a deep breath — and you’ve got nothing. Not a single thought of where the story is going. Not a single word to scribble or type. Nada. Bubkis. The clean white page or blinking cursor is mocking you. How can this be when you were so ready to write?

I’m not a big fan of the term writer’s block because the word block tends to make me feel like the problem is insurmountable. And if I walk around telling myself I’m completely blocked … I will be. The situation will only get worse. Because tomorrow, you’re not going to be as eager to write because you have the word BLOCK stuck in your head. The day after that will be even harder until so much time has passed and you’re afraid to even face the blank page. So the question becomes how to avoid the big, bad block.

Every writer I have ever known has faced at least a few bad moments where the words are hard to find, and there are posts all over the internet about how to get around the block. But how do you know which method is going to be most effective? How can you keep trying if you keep failing to get words on the page? For me, it all boils down to one little word … Why?

When the words dry up and I am staring at the page, rather than get frustrated, I start looking for the reason. There is always a reason. And once I figure out the reason, the writing resumes. People have different ways of dealing with the words drying up and that will be the topic for another post. The method most effective for me is to walk away from the screen, put my headphones on, and go for a walk. While I’m on the walk, I don’t furiously think about the book I’m writing or actively try to figure out the issue — I put the brain on autopilot and listen. My brain is much smarter than I am, and if I give it a chance, it always gives me the reason.

Here are some of the reasons the words can dry up:

1. Not knowing the characters well enough. If I don’t know the characters well, then how can I possibly tell their story with any conviction?
2. Not knowing where the story is going. You can know your characters well, but if you don’t know what they are doing next, you might need to take a break and let them tell you.
3. Not listening to your characters. This may depend on the type of writer you are. In my writing, the characters drive the story forward. So when I know my characters and know where we’re going, sometimes I get on a roll writing, and stop listening to them … until we come to a screeching halt. Once I listen I learn I didn’t have the full story.
4. Impostor Syndrome. Show me a writer, and I’ll show you someone who has had at least a few moments of doubt along their journey. So many don’t feel like a real writer because of X, Y, or Z. It’s hard to keep moving forward when you feel like a fake. If this is the reason, then you have to remind yourself that the act of putting words on the page means you ARE a writer. Good, bad, or indifferent … you are writing, so therefore a writer. Bad or indifferent writing can be edited — a blank page cannot be.
5. Fear. This comes in many forms. Fear of not being good enough. Fear of people hating your work. Fear of not realizing you are terrible. Fear of putting yourself out there for the public to criticize. If you never finish, you never have to face these fears.

Once you understand the reason you have stopped writing, you can take action to overcome whatever the issue is, and once you do that, the words will flow again.

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You’ve just had a fabulous idea for a story and your brain is bursting with all the details and you cannot wait to write it. You sit down at the keyboard and pull up a page, or grab a notepad if you draft long hand, and the blank page mocks you with its emptiness. The only thing on your mind is a huge question: Where do you START? The sizzling in your brain fades and you think maybe the idea wasn’t so great after all if you don’t know how to get started.

STOP!

You’re trying to run the race before you’ve put your feet on the ground. Before your story can have legs, you need to know more about it. You need an outline. (I feel like there should be a musical tag here of dun-dun-DUN!!!) Before you freak out and start protesting that you can’t outline because it robs you of your creativity, or that you’re a panster and if you try to figure out your story beforehand, it becomes stilted and flat, I’m saying outline in the loosest sense of the word. An outline is not always a document with Roman Numerals listing all the scenes in the book. If I had to do that, I’d be rocking in the corner whimpering at the thought and I’d never get the outline written, let alone the book. Because when I write a book, I don’t know all the scenes that will end up in the book before I start. Part of the magic of writing is allowing your characters to develop and letting them lead the way.

Outlining could be developing your story structure which is figuring out your major plot points and when they occur throughout the story. Mystery writers might be more focused on this type of development prior to starting so they don’t wind up in a muddle half way through. There are some well known methods like Blake Snyder’s Save the Cat! which was developed more for screenwriting, but the use of beat sheets has been adopted by several novelists as well. Or you can try Randy Ingermanson’s Snowflake Method which starts with a single overarching idea, the idea for the story summed up in a single sentence, and builds from there.

I have a friend who usually starts with the Snowflake Method, but when I attempt it, the only thing that happens is brain frostbite. So what happens if you don’t work well with a more formalized method of outlining? Start with what got you excited to begin with. Write down your idea. That’s always a good place to start because you might not remember it clearly later. Fill in as much detail as you can because I cannot tell you how many times I’ve gone back to my outline and realized I had forgotten something. Once you have the story idea down, what next?

Play 20 Questions. Not really, but think of all the questions you need to answer and jot them down. Who is the main character? What makes them tick? What is their biggest obstacle in the story? How do they overcome it? Or DO they overcome it? Where does the story take place? What place in time does the story take place? What is the character’s main motivation? Who or what is the antagonist? How does the conflict escalate? What I’m really telling you to do is brainstorm. Once you’ve answered all the questions you can think of to start with, you’ll have a much better idea of where to start your story, what type of research you need to do before beginning to write, and where you want to end up when you’re done.

Whichever method you choose, the next time you face the blank page, it will invite you to start writing.

The start image at the top of the post is: © Lina0486 | Dreamstime Stock Photos & Stock Free Images

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“Ideas can come from anywhere and at any time. The problem with making mental notes is that the ink fades very rapidly.” – Rolf Smith

The bane of the writer’s existence is the idea that arrives at an inconvenient time. I don’t think I’ve ever had a story show up while I’m sitting in front of my keyboard, hands poised over the keys, ready to dash down the idea as it forms. Ideas show up in the middle of the night as dreams, or wake you from a sound sleep with a mind blast of a brilliant idea you’re CERTAIN you’ll remember in the morning. Then morning comes and you struggle to clear the fog away to remember the unforgettable. Ideas come while driving, walking, taking a shower, in the middle of a conversation, on a bike ride. They come from all places: dreams, the lyrics of a song, a two-second sound byte of a news story, a newspaper headline, an article on the internet, an overheard snippet of conversation, and completely out of the blue as if by lightning strike.

I don’t think I’ve ever heard a single writer I know state they are going to go sit in front of their computer and come up with a brilliant idea to write about. Invariably, the idea has come and we are itching to get to a keyboard and get it down. BUT what happens when you’re brain is a magnet that collects more ideas than you can write at the moment? How do you capture the idea, especially the one flitting through the night? Most writers I know have a list of story ideas they work from. And once they get started on one from their list, invariably a shiny new idea makes its presence known.

Some keep a notepad and pen on their nightstand to capture those middle of the night revelations and travel everywhere with a notebook or journal for capturing the ideas as they arrive. A friend of mine uses a recording device in the same way. Because thoughts can be elusive. My method is this: survival of the fittest … up to a point. If I have a dream or an idea wakes me in the middle of the night, I don’t jot it down. I wait until morning and if the idea is truly one meant to be captured, I’ll remember, or it will come back. Because my stories that are waiting to be written can be pests. They don’t leave me alone until they have been properly documented and saved in a file.

I used to document the ideas in a word document, jotting down as much of the story as I got at the moment, and adding to the document as more thoughts for the story arrived. I have since modified to using OneNote because I can post a segment of an article from the internet and the URL of the article is automatically captured, or if I explain my idea to anyone, or something develops during an email conversation, when I copy and paste the pertinent bit into the document, it links to the email exchange — which can come in handy. I can also save pictures for character representation and have multiple pages to document things like setting, character background, etc. so organization is much cleaner.

Once I document what I need to, I close the file and go back to what I’m working on. Sometimes it takes years before I get around to the story, but in the meantime, as ideas occur related to the story, I have a place to keep them so I don’t forget. My brain happens to be one of those idea magnets, so my list is always huge, but when I’m ready to work on something new, I never lack for something to write about. How do you capture your ideas?

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Previously, I spoke about being a plotter or a pantster and how I fall in the middle of the spectrum. I’d like to add that for me, every book is different. Some require much more detailed planning in advance of starting, others simply have to be written and forget the outline you dashed down because we’re going on Mr. Toad’s Wild Ride with this one.

I am very much a character-driven writer, so no matter whether well-plotted out or using the sketchiest outline possible, I need to know my characters well. They need to become real people to me. I imagine different scenarios, outside the story line, to see how they will react. I have imaginary conversations with my characters to get a sense of who they are and what their opinions and attitudes are.

Not all authors have to know their characters like I do, but for me, if my characters are not real people to me, I can’t write the story. So before I put one word on the page, I will spend a lot of time staring at the screen, the ceiling, off into space … listening for my characters to speak. One method that usually works for me is putting in headphones and going for a walk. Or going for a long drive. Until I know WHO I’m working with, I don’t have their story.

Writing the story is just the beginning. Once you get the story down on paper (or on a computer file), you then go back and re-read and revise. You are looking for mistakes (like missing words) as well as changing some of the story. EVERY writer makes changes to their work because they always find something that they want to change, something that will make it better. No one starts with a story that doesn’t need changes. It doesn’t matter how many times I review a story, I will always see something I want to change, so for me the hard part is determining when the story is polished.

One writing teacher I had stated the ability to write a story was the ability to keep your behind in the chair long enough. Inspiration of what to write is the wonderful part because your brain is bubbling with ideas and they take hold and haunt you until you put them down on paper. Then comes the work of staying in a chair long enough to get the whole story down — and to review it more times than you can count.

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I’d like to share with you a little about the writing process. Of course, I can’t tell you how all authors write, but I can share my process as well as those of some authors I know.

There is a popular theory that if you had a room of monkeys typing on a keyboard and infinite amount of time, they would be able to replicate all of the great works of fiction or indeed any book ever written. It is called the infinite monkey theorem—and the idea has always tickled me because I cannot conceive of a roomful of well-behaved monkeys sitting for as long as it would take to create the complete works of Shakespeare. Jesse Anderson created a fun visualization of what it would take for the monkeys to recreate Shakespeare … hover the cursor over the text and the box on the right shows how many attempts it would take to create the highlighted phrase. And at the bottom of this post I have included a computer simulation of how those random phrases might occur. So I guess my biggest problem is not having enough monkeys to do the writing for me.

Another theory is that to write a story, you start at the beginning, keep writing until you reach the end and then stop. This sounds easy, but when you start to put the words down all sorts of questions start cropping up. What is the beginning? How will I know when to end? How do I get from the beginning to the end? Getting started is tough when looking at the blank page, but sometimes knowing when the story is done is even harder. YIKES!!

Some authors create a very detailed outline of their story before they start to write it. They need to know every plot point before they can start writing the story. Once they have all of the details mapped out, they put the words on the page and the characters in the story follow the map. They are called plotters.

Some authors don’t know where the writing is going to take them, they don’t map out their story line first, but just start with a concept (a setting, a character, an event) and see where it takes them. They approach writing with a “let’s see what happens next” attitude. They are called pansters.

I actually fit in between the two. I need to know the basics of my story, but as I write, there are twists that happen that I didn’t know were going to happen. It’s almost like the story takes on a life of its own and the characters go in directions that I didn’t know they were going to go in, but eventually, they meet me back at the story line that I started with. It’s fun when your characters start taking on a life of their own, because at that point, they start writing the story for you. Maybe I do have monkeys in a room somewhere. Or maybe I’m the monkey.

Another thing to keep in mind, is how you approach the story may depend on the story itself. Some take more planning and others need to be left more to where the characters take you. Where do YOU fall on the spectrum? What is your writing comfort zone?

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Every writer I know has a to-do list. And it seems like the harder I work on mine, the more it grows. Of course, my manager, Italia Gandolfo has something to do with that. As soon as I knock something off the to-do list, she adds three or four things and gives me an evil laugh. I think she’s trying to keep me occupied so I stay out of trouble and have less time to make jokes. *whispers* It doesn’t work… I postpone doing the to-do list and do something that makes me laugh anyway. I just tell her the world needs more laughter.

Why do most writers have a to-do list? To help us keep track of what we’re supposed to be working on and give us some semblance of order. And certain things need to be done whether we like them or not … kinda like life itself. My informal list is always comprised of the following major categories and the specific items underneath those categories tend to fluctuate: Stuff I should be doing, Stuff I need to do, Stuff I want to do, and the final category (and my personal favorite) Stuff I am doing. I’m going to share a portion of my current to-do list and explain why some of the items are where they are. (And normally I don’t write out the list… but if it gets too much longer, I’m going to have to in order to know what I should be working on.

1. Stuff I Should Be Doing:
• Writing Character Sketches

  • This item could be writing character sketches (which I do have to do for the chapter book series), or outlining a writing project, or doing research for a story — anything relating to writing preparation. Something of this nature is always on my to-do list because I have several projects in the works in various stages at any given time. In this particular case, I need to start creating a series “bible” for the chapter book series Timmy and the Golden Lion Tamarin. Because this project is a collaboration, my writing partners, Luke, Olivia, and I need all the details in one place.

• Revising a scene

  • Revisions and edits are an essential part of the writing process. No matter what else I’m working on, I usually have something that requires revisions or edits — whether my own work or someone else’s that I’m editing. While writing the story itself is largely a solitary process, a necessary part of the cycle is getting someone else to take a look and provide feedback on the work. I have someone I trade work with, so she provides editorial notes on my work once it is ready and I do the same for her. In addition to this, I also edit manuscripts for some of my agency mates. So revisions and edits always on my list because I do several rounds of edits on my own work before giving it to anyone else.

• Blogging

  • This is the item that is ALWAYS on my list and the one I always push off to get other things done. I admire those writers who are able to plan out and get articles posted on a regular basis. My poor neglected blog sometimes cries its heart out in the middle of the night because it is not high on my priority list. And I do enjoy blogging. It’s just when looking at the mountain I have to climb with the things I have to do and look at the clock and realize I can’t stop time from ticking away, I get overwhelmed and know how much time it takes me to put together a post. So it usually gets kicked to the side. I consider putting together a blog post a noteworthy event. And I ask for a cookie when I’m done.

• Create Timeline for the WIP (Work in Progress)

  • This is similar to the Character Sketches in that it can be one (or more) of several activities. But while the Character Sketches item pertains to projects other than the current work in progress, this pertains to the current work. Right now, I need to establish a plot timeline for the book I’m working on so I can nail down the flow of the book. This could be any additional administrative type activity which is not part of the actual drafting/editing process of the WIP.

• Answer Emails

  • While this may seem like an insignificant thing to put on a to-do list, the number of emails keeps increasing and the time to answer them keeps shrinking. So time must be allotted to tame the inbox.

2. Stuff I Need To Do:
• Laundry
• Grocery Shopping

  • I’m going to be brief with this category and lump these items together. Essentially, these are the tasks that must be done to keep life moving forward. Evil, but necessary things. Grocery shopping always reaches the critical point when the toilet paper runs low. That’s one item I cannot ignore and the thought of running out forces me to brave the stores. While you’re still in school, someone else may take care of the life essentials for you, but homework could go in this spot.

3. Stuff I Want To Do:
• Write more of current WIP

  • I am currently working on an upper YA in the drafting phase and it is not the number one priority task for completion, so of course, it is the task calling my name the loudest. It never ceases to amaze me how many writers get shiny new ideas while working on their WIP… which makes them want to drop the current WIP to explore the shiny new idea. This usually happens when half to three quarters of the manuscript has been completed. The shiny on the current WIP has worn off and you’re in the midst of the realization that writing is hard work. Then along comes the temptress of the shiny new idea, luring you away from the task at hand.

• Get a massage

  • This could be a massage, going to the movies with friends, hanging out at the mall, ANYTHING other than a writing related task that brings you pleasure and something where you cannot possibly write while doing. I’ve heard there is life outside of writing and occasionally I want to do things that have nothing to do with writing. These items usually stay on the list for a while because like the blogging, they usually get kicked to the curb so I can get something else completed.

• Stuff I AM Doing:
• Playing with Photoshop
• Posting on Facebook
• Tweeting with friends
• Posting pics on Tumblr
• Ditto on Instagram

  • Basically, this is what writers do when they’re trying to pretend the to-do list isn’t currently leaning over and getting ready to crush them. Goofing off. Letting off a little steam now and then is actually good for the work. The trick (and it is a real juggling act) is to balance the goofing off to give yourself a break with making forward progress on the list of things to get done. For me it is mentally essential to take these breaks. If I cut myself off from social interaction for too long a period, I go stir crazy and the work suffers. But I also don’t let the 10 or 15 minutes of playing extend to a half-hour, hour, or two hours (very often ) If you find you are not able to manage the time limits on the play time, set up an alarm or use the online programs which limit internet. I don’t use those because I frequently need to research a point during the middle of working on whatever it is that I’m working on… and it would be a pain to have to turn off that restriction just to do what is necessary for the job. But I have heard others say those services work effectively for them.

There you have it… my basic working list at any given time. What does your to-do list look like?

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This is the third of three posts focusing on 8 tips for the writing environment. In order to help you do your best writing, you have to know what it is that helps you focus on the writing.

Missed the first post on Location, Essentials, & Time? Find it here.
Missed the second post on Noise and Light? Find it here.

Temperature, Snacks, & Clutter

6. Temperature: Pay attention to the temperature of your writing area. If it is too cold, or you get too hot, you will start thinking about your comfort, which interrupts your writing process. I usually need to cool my writing area down or at least get some air flowing. I’m super sensitive to a stuffy atmosphere, and sweat easily. And trust me, when sweat is dripping in your eyes and stinging the heck out of them, you won’t be accomplishing any word counts. I have been called a polar bear by some (yes, I’m looking at you, Hope Collier) because I’m comfortable at temps where others are thinking about putting on a jacket. But an environment that is too cold is just as bad as one that is too hot. If you’re shivering and blowing on your hands and your toes are so cold you can’t think straight — again your word count suffers. What is the right temperature? The one that feels the best to YOU.

   Do what you need to, to make your environment comfortable. While most of me is hot most of the time, my toes and fingers easily get cold, so I make sure I have something soft and fuzzy for my feet and in the winter, I use fingerless convertible gloves to keep my hands from getting too chilly.

7. Snacks: Do you write better with things to eat close to hand or not? Writers on deadline have notoriously bad eating habits because they are working furiously to get the current task done. So often times healthy eating goes by the wayside to be replaced with junk food like Cheetos, chocolate, chips, candy — sweet and salty items that don’t have to be refrigerated, can be kept on hand by the bagful to allow the butt to stay in the chair long enough to accomplish what needs to be done. A friend of mine, Branli Caidryn, shared the neat little trick of eating cheesy snacks with chopsticks to keep the cheese dust off the fingers and keyboard.

   I am definitely not recommending the above snacks as normal fare. It is much better to keep some healthy snacks on hand, or maybe even better yet, take snack breaks to get up and stretch and get away for a moment to rejuvenate and refresh. I like to write with a big mug of tea to the right of my keyboard, within easy reach, so I don’t have to think about where the mug is, but can just grab it while I am thinking. And in my office, I keep a small refrigerator, a portable kitchen island, and a tea kettle.



Photo: Alamy

8. Clutter: Is your writing area well organized? Some people believe an uncluttered leads to an uncluttered mind, but I have always liked this quote by Albert Einstein: “If a cluttered desk is a sign of a cluttered mind, of what, then, is an empty desk a sign?” Some people like to have toys around to help them in the creative process. I like to have a few familiar things around me as a stark writing area for me creates a blank mind rather than an uncluttered one. And while I start with a neat desk, throughout the writing process, more clutter accumulates, and then I purge once again. It’s cyclical. (And no, that is not a picture of my desk.)

By the way, all of the these tips are also good for creating a good environment for doing homework as well.

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This is the second of three posts focusing on 8 tips for the writing environment. In order to help you do your best writing, you have to know what it is that helps you focus on the writing.

Missed the first post on Location, Essentials, & Time? Find it here.

Noise and Light

4. Noise: Noise is definitely a factor. Some people can’t work with noise and some people can’t work without it. I find the noise of television or conversation a distraction and will most times listen to music while drafting and have been known to sing along. What do I listen to? Whatever will make my characters talk to me. I have learned to make it their choice because I get a lot more done that way. Some characters are very specific about what they will work to.

   Melody and Katie are my most finicky about music. Katie loves to listen to Country, Sara Evans is her current fave. And Melody loves Pentatonix and Chase Holfelder, but is much more eclectic in her music tastes, so we’ll see how many different varieties of music and artists the book will take. My crew of Seventh Graders prefer music with no words — which is good because with so many kids all talking at once it is sometimes hard keeping up with their conversations. And Angela likes 70s pop. Whatever will take me into the writing zone as quickly as possible with the characters is what I listen to … always low volume, so as not to distract or clash with the words in my head. After all, I have to hear what the characters are saying above the music, don’t I?

   Oddly enough, one of the sounds I have the most difficult time in blocking out is the hushed tones of a library. The low-level noise keeps me from being able to sink into the manuscript, and pretty soon I’m frustrated and packing up my things. If you do like noise while you work, then play music or have the television on low sound. The last thing you want to do is to distract yourself from what you are working on.

5. Light: Light makes a difference in your concentration factor as well. Do you like the light soft, or bright, or even no light at all? I do the majority of my writing while looking at a computer screen, so my optimum light is a soft, indirect light — if I use any light at all. The mole and I have something in common — a love of the dark.

   Overhead fluorescent lights tend to bother me, so if I am in a place that has those, I turn them off so I am do not get a headache from the glare that they cause. In the workplace, my desk is known as the dark side because I do keep the fluorescents off in order to ease the strain on my eyes and keep me from getting a headache. Others need a great deal of light to keep from causing eye strain or fatigue. Writing outdoors? Is the day sunny enough to require sunglasses? Do you need the sunglasses even on a cloudy day to cut down the glare (answer for me is yes.) Be sensitive to your needs and figure out the optimum light to reduce eye strain and keep you focused on your writing tasks.

That’s it for this segment on the writing environment. Check back soon for the next installment of tips. And happy writing.

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A few years back … *checks calendar* Wow! Time flies when you’re busy writing. … or a few more than a few years back, I worked with a teacher friend of mine and her gifted students on a creative writing module and put together a few posts with some writing tips for young writers. Since I will be starting a new book project just as soon as I finish the final read through on the editing project I’ve been working on, I thought it would be a good opportunity to dust the tips off, update them, and add more as I go through the process.

In the tips for young writers, we’ll cover the writing environment, how to get started, overcoming writer’s block, different storytelling methods, character development, plot development, conflict, continuity, and will then dive into the wonderful world of editing and how to trim the fat from the manuscript, different methods to give yourself fresh eyes for the work, and how to polish it until it sparkles, and whatever else occurs to me along the way.

I’ll be posting one tip every couple weeks and you’ll be able to find them under the Writing menu as Young Writers

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