Even if it were a haunted house, it would be things like bowls of cold spaghetti or peeled grapes you’re putting your hand blindly into and getting all grossed out over thinking about entrails and eyeballs. People wearing scary masks might jump out and startle you in the gloom, but they are not likely to be wielding a real ax or going to chop off any body parts. So you can shiver, scream, laugh, and enjoy the entire experience.

But from the moment the girls stepped into the tent, things were different. Subtly, magic was in play from that first moment … and then there was Madame Vadoma.

When writing, some characters come through so strongly you never have to reach for them. That was the case with Madame Vadoma. Her voice, mannerisms, appearance, attitudes, speech inflection, etc. all came through loud and clear. All I had to do was close my eyes and I could see her … vividly. Sam Shearon, the cover creator and interior illustrator, captured her perfectly — the angular features, the amber eyes, hoop earrings, and ring encrusted fingers were all simply perfect. I felt as if he peeked into my head and brought her to “life” for the cover.

Madame Vadoma is named as such because Vadoma means to know, and as a fortune-teller, it suited her. A strong, confident character who remains just as mysterious at the end of the book as she was at the beginning … because that is the way she wanted it. I was saddened when she disappeared and I knew she wouldn’t be back before the end of the book. As a character, she still intrigues me. Her motivations remain obscure, yet her part was complete — for this novel at least.

     A ring encrusted hand thrust the curtain back and we both jumped.
     Lighthearted moment over.
     A tall, thin woman followed the hand into the room. Her big eyes were circled with thick, black liner that trailed up at the corners. And dark-red lipstick made her mouth look like a bloody gash. Her prominent nose and angular cheeks gave her a hawk-like appearance.
     “I am Madame Vadoma.”

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The roots of this story go back to 2009 while I was working on another book and Angela intruded to tell me that I was going to write her story. At that moment, I was so engrossed with the story I was in the middle of, and the words were flowing at such a rate I could barely keep up, that this new character was more of a nuisance than anything else. I pointed to the end of the story idea line and told Angela to get comfortable … because it was going to be awhile. She didn’t wait patiently.

Of ALL my characters, Angela has always been the most emphatic about who she is and the story she had to tell. Angela embodies the spirit of Be the Cat!! more than any character I’ve worked with. She knows who she is and makes no apologies.

Most of the time, I have some sort of idea of what the story is about before starting the writing process. Not this time. I simply knew my character had a story and it was my job to tell it. So — no outline, no story notes, nothing but me and a blinking cursor on the blank page. Imagine my surprise when this dilapidated carnival tent appeared as if by magic.

I had never written anything but contemporary to this point, and yet here, in the middle (well, more like the middle of the beginning) of the story popped up an object I knew had to contain magic. The last line of the image sums up exactly how I felt at that moment. Wait!! What is this doing in the middle of the story??? It didn’t belong.. (Or so I thought.)

But I was curious. First of all, it was a cool, old, tent and I wanted to know what was inside. This was the moment where the story turned from being an obligation to explore on behalf of my character to needing to satisfy my curiosity. From this moment forward, I was totally hooked, and I hope you will be, too.

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If you like the illustrations, check out the Liana Gardner Collection on Redbubble.

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The amazing artist of the cover, is Mister-Sam Shearon … if you’re a fan of the dark side, you should definitely check out his work.

Details:

Jaclyn and the Beanstalk
by Mary Ting
Published by: Vesuvian Books
Publication date: September 4th, 2018
Genres: Fantasy, Young Adult

Blurb:

What fate awaits a girl who hears monsters at night…

Sixteen-year-old Jaclyn looks up to her father. An honest man who once fought for the king, he now teaches Jaclyn how to use her wits—and her sword.

But he has a secret. And his secret may have a connection to the one thing Jaclyn is hiding from him.

Upon hearing “monsters” are terrorizing the small villages around Black Mountain, Jaclyn’s father and his friends head out to hunt them … but they don’t return.

Armed only with her sword and three magic beans—a gift from a mysterious old woman—Jaclyn sets out for Black Mountain to save her father.

On her climb, one bean drops and grows into a beanstalk, catching her when she falls.

She isn’t the only one that takes the ride. Jack, her childhood friend and secret crush, is following her.

Together, Jaclyn and Jack must battle to save not only their fathers, but the townspeople the beasts plan to lay waste to before it’s too late.

Goodreads Link

Author Bio:

International Bestselling Author Mary Ting/M. Clarke resides in Southern California with her husband and two children. She enjoys oil painting and making jewelry. Writing her first novel, Crossroads Saga, happened by chance. It was a way to grieve the death of her beloved grandmother, and inspired by a dream she once had as a young girl. When she started reading new adult novels, she fell in love with the genre. It was the reason she had to write one — Something Great. Why the pen name, M Clarke? She tours with Magic Johnson Foundation to promote literacy and her children’s chapter book — No Bullies Allowed.

Official Website | Blog | Twitter | Facebook | Goodreads

The post Cover Reveal: Jaclyn and the Beanstalk by Mary Ting appeared first on Be the Cat.

Some authors have a say in the cover and others do not and it is the first measure of acceptance or rejection for the novel when the cover is revealed. So we are all nervous and excited when our baby is shown off to the public for the first time. Today I’m delighted to help Heather McCorkle share her fab cover for To Ride a Púca with the world. And I, for one, think the cover nails it… especially when you know a Púca is one of the most feared and mischievous of all the faeries in Ireland. It is a changeling who appears in many guises, the most common form is a sleek black horse…

So take it away, Heather!

Heather: I’m so excited to share the cover of my young adult historical fantasy novel, To Ride A Púca, with you. I’ve been waiting for so long to reveal the news and the cover that it’s been driving me crazy! This novel is special to me, as many of you know, because it felt like my heart and soul has gone into it. It isn’t a part of the channeler series, though it is a tie-in novel as it’s about one of Eren’s ancestors. This is a stand alone of a very different flavor and I hope you love it as much as I do.

Here is a bit about it:

Invaders are coming to take what isn’t theirs, again.

Neala wants to stand and fight for her homeland, but as one of the last druids, she may be standing alone.

Persecuted, hunted down, forced to live in obscurity, the druids have all but given up. Can the determination of a girl who has barely come into her power bring them together? Or, just when she finally finds her place among her kind, will they end up losing a homeland their very magic is tied to?

This novel is intended for mature teens and adults as it contains some difficult subject matter. 

I had to throw that warning in because I had one person who was disturbed by some of the subject matter in The Secret Of Spruce Knoll. To Ride A Púca is a much darker novel than Spruce Knoll and will certainly not be appropriate for some readers. Slavery, oppression, and violent situations are within this novel. It certainly falls under the dark YA catagory. But it is also about hope, love, and belonging. It releases this May! To add this novel to your Goodreads lists click here. To pre-order a signed hardback (to ship at the end of May), click here.

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